<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom"><channel><title>Handmade Art Doll | ArtDoll</title><link>https://artdoll.com/forms/handmade-art-doll/</link><description>Independent stories, artist profiles, and collecting guides for contemporary art dolls.</description><language>en-us</language><atom:link href="https://artdoll.com/forms/handmade-art-doll/" rel="self" type="application/rss+xml"/><item><title>Provenance Records for Handmade Art Dolls: A Documentation Checklist for Makers and Collectors</title><link>https://artdoll.com/stories/provenance-records-handmade-art-dolls-documentation-checklist/</link><guid isPermaLink="true">https://artdoll.com/stories/provenance-records-handmade-art-dolls-documentation-checklist/</guid><pubDate>Tue, 08 Sep 2026 19:05:28 +0000</pubDate><description>A maker wants a handmade figure to remain identifiable after gifting, resale, repair, relocation, or separation from its original packaging, while a collector needs records that support responsible care and ownership history. The practical answer is a modest, object-specific packet: a stable ID, clear photographs, a …</description><content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/">&lt;p>A maker wants a handmade figure to remain identifiable after gifting, resale, repair, relocation, or separation from its original packaging, while a collector needs records that support responsible care and ownership history. The practical answer is a modest, object-specific packet: a stable ID, clear photographs, a maker-authorship statement, materials and care notes, a condition record, and a transfer log.&lt;/p>
&lt;p>This kind of &lt;strong>art doll provenance documentation&lt;/strong> does not guarantee monetary value, settle every future dispute, or independently prove ownership or authenticity. It does, however, give the individual doll a usable identity when its box, online listing, or original context is no longer present.&lt;/p>
&lt;p>For handmade work, that specificity matters. Two dolls from the same maker may share a style, pattern, or title, yet have different materials, details, repairs, or histories. The records should therefore describe the particular object—not merely the maker’s general practice or a series name.&lt;/p>
&lt;h2 id="know-which-record-answers-which-question">Know which record answers which question&lt;/h2>
&lt;p>Several record types are often grouped together as “papers,” but they do different jobs.&lt;/p>
&lt;table>
&lt;thead>
&lt;tr>
&lt;th>Record&lt;/th>
&lt;th>Main question it addresses&lt;/th>
&lt;th>What it should identify&lt;/th>
&lt;/tr>
&lt;/thead>
&lt;tbody>
&lt;tr>
&lt;td>Maker-authorship statement or certificate&lt;/td>
&lt;td>Who made this specific doll?&lt;/td>
&lt;td>Maker, object ID, title, date, image, materials, edition status&lt;/td>
&lt;/tr>
&lt;tr>
&lt;td>Provenance or custody record&lt;/td>
&lt;td>What is the known history of this doll?&lt;/td>
&lt;td>Creation, gifts, sales, transfers, known custodians&lt;/td>
&lt;/tr>
&lt;tr>
&lt;td>Receipt or gift note&lt;/td>
&lt;td>What transaction or transfer occurred?&lt;/td>
&lt;td>The individual doll, date, parties where appropriate, documents included&lt;/td>
&lt;/tr>
&lt;tr>
&lt;td>Condition report&lt;/td>
&lt;td>What physical state was observed on a date?&lt;/td>
&lt;td>Wear, marks, loose elements, discoloration, damage, storage concerns&lt;/td>
&lt;/tr>
&lt;tr>
&lt;td>Repair or alteration log&lt;/td>
&lt;td>What changed after completion?&lt;/td>
&lt;td>Date, work performed, materials, replaced parts, photographs&lt;/td>
&lt;/tr>
&lt;tr>
&lt;td>Care sheet&lt;/td>
&lt;td>How should this construction be handled and displayed?&lt;/td>
&lt;td>Material-specific risks, handling limits, detachable or fragile parts&lt;/td>
&lt;/tr>
&lt;/tbody>
&lt;/table>
&lt;p>&lt;strong>Provenance&lt;/strong> is the documented history of the individual doll: its creation, sales, gifts, transfers, loans, and known custody. A &lt;strong>certificate of authenticity art doll&lt;/strong> is better understood here as a maker-attribution record. It links the object to the named maker and describes it at or near the point of creation.&lt;/p>
&lt;p>Neither is the same as an ownership record. A receipt, invoice, gift letter, or transfer note may support a history of custody, but the meaning and weight of any record depend on its completeness and context. Likewise, a condition report does not establish who owns a doll; it records what an examiner observed at a particular time.&lt;/p>
&lt;h2 id="assign-a-stable-object-id">Assign a stable object ID&lt;/h2>
&lt;p>A stable object ID is the thread that holds the packet together. It should be unique to one doll and used consistently on every associated record.&lt;/p>
&lt;p>A simple format can work well:&lt;/p>
&lt;ul>
&lt;li>Maker initials or studio abbreviation&lt;/li>
&lt;li>Year of completion&lt;/li>
&lt;li>Sequence number&lt;/li>
&lt;/ul>
&lt;p>For example: &lt;code>AB-2025-014&lt;/code>.&lt;/p>
&lt;p>Avoid using an ID that can be mistaken for an edition number. If a doll is number 3 of an edition of 12, record that separately as &lt;code>3/12&lt;/code>. The object ID should remain unique even if the edition terminology changes or a record is updated.&lt;/p>
&lt;p>Use the same ID on the certificate, reference-photo filenames, condition reports, receipts, repair notes, correspondence summaries, and transfer log.&lt;/p>
&lt;h3 id="choose-a-safe-marking-strategy">Choose a safe marking strategy&lt;/h3>
&lt;p>Not every handmade object can be physically marked without risk. A signed underside may suit a solid base, while a textile figure may accept a sewn label or archival hanging tag. A separate documentation card may be safer for a fragile paper-clay surface, powdery finish, delicate costume, or vulnerable mixed-media construction.&lt;/p>
&lt;p>Possible approaches include:&lt;/p>
&lt;ul>
&lt;li>A discreet signature or ID in a stable, visually appropriate area.&lt;/li>
&lt;li>A sewn label inside or beneath a textile costume, where it will not strain fabric or distort the form.&lt;/li>
&lt;li>An archival tag attached to a robust structural point, not a fragile projection or decorative thread.&lt;/li>
&lt;li>A separate identity card stored with the packet when the doll cannot be marked safely.&lt;/li>
&lt;/ul>
&lt;p>Do not add adhesive labels, stamps, ink, engraving, or fasteners where they may stain, abrade, weaken, or visually alter the doll. If physical marking is unsuitable, say so in the packet: “Object ID is documentation-based; identification relies on reference photographs and distinctive-feature notes.”&lt;/p>
&lt;h2 id="build-the-makers-core-documentation-packet">Build the maker’s core documentation packet&lt;/h2>
&lt;p>A useful packet need not be elaborate. Its strength comes from consistency, dates, and descriptions that are specific to the individual doll.&lt;/p>
&lt;h3 id="core-identity-sheet">Core identity sheet&lt;/h3>
&lt;p>Create one page that gives a future custodian an immediate overview.&lt;/p>
&lt;table>
&lt;thead>
&lt;tr>
&lt;th>Field&lt;/th>
&lt;th>What to record&lt;/th>
&lt;/tr>
&lt;/thead>
&lt;tbody>
&lt;tr>
&lt;td>Object ID&lt;/td>
&lt;td>The stable, unique identifier&lt;/td>
&lt;/tr>
&lt;tr>
&lt;td>Title or working name&lt;/td>
&lt;td>Include an untitled designation if appropriate&lt;/td>
&lt;/tr>
&lt;tr>
&lt;td>Maker&lt;/td>
&lt;td>Name used for attribution, plus studio name if relevant&lt;/td>
&lt;/tr>
&lt;tr>
&lt;td>Completion date&lt;/td>
&lt;td>Full date when known; month or year if that is all that is known&lt;/td>
&lt;/tr>
&lt;tr>
&lt;td>Dimensions&lt;/td>
&lt;td>Height, width, depth, and whether measurements include base, costume, or props&lt;/td>
&lt;/tr>
&lt;tr>
&lt;td>Overall image&lt;/td>
&lt;td>A clear photograph of the individual doll&lt;/td>
&lt;/tr>
&lt;tr>
&lt;td>Short description&lt;/td>
&lt;td>Form, pose, colours, costume, accessories, and distinguishing features&lt;/td>
&lt;/tr>
&lt;tr>
&lt;td>Location of originals&lt;/td>
&lt;td>Where paper originals are stored and where digital backups can be found&lt;/td>
&lt;/tr>
&lt;/tbody>
&lt;/table>
&lt;p>Use plain language. A record does not become stronger by making broad claims about rarity, permanence, future demand, or value.&lt;/p>
&lt;h3 id="materials-construction-and-care-notes">Materials, construction, and care notes&lt;/h3>
&lt;p>Record materials and construction as clearly as possible. This supports identification, handling, repair decisions, and future care.&lt;/p>
&lt;p>Include, where relevant:&lt;/p>
&lt;ul>
&lt;li>Armature, core, or support structure, if known.&lt;/li>
&lt;li>Surface materials and finishes.&lt;/li>
&lt;li>Textile, fibre, paper, clay, resin, wood, metal, glass, or found components.&lt;/li>
&lt;li>Joint systems, movable parts, magnets, wires, pins, or detachable accessories.&lt;/li>
&lt;li>Areas with intentionally delicate, flexible, or unstable-looking construction.&lt;/li>
&lt;li>Display and storage guidance based on the actual materials and structure.&lt;/li>
&lt;/ul>
&lt;p>Care guidance should name limits rather than promise outcomes. For example, a maker might note that a doll should be supported from its base rather than lifted by an arm, that a projecting element should not be bent, or that a textile costume should not be cleaned with water or household products without further assessment.&lt;/p>
&lt;p>Exact care depends on the materials, construction, current condition, environment, and artist guidance. Avoid generic instructions that may be unsuitable for a particular finish or adhesive.&lt;/p>
&lt;h3 id="reclaimed-and-found-components">Reclaimed and found components&lt;/h3>
&lt;p>Reclaimed materials deserve especially careful wording. Record what is known, such as the source, material type, or date acquired. Separate that from assumptions.&lt;/p>
&lt;p>For example, “Includes a reclaimed metal button acquired from a household sewing collection in 2024” is clearer than claiming an unsupported age, origin, or prior use. If the history of a component is uncertain, label it as uncertain. This protects the usefulness of the record for future collectors and conservators.&lt;/p>
&lt;h2 id="record-edition-status-precisely">Record edition status precisely&lt;/h2>
&lt;p>Handmade doll edition records should explain how the maker uses edition language. Terms can vary across practices, so the packet should state the meaning rather than assume it.&lt;/p>
&lt;ul>
&lt;li>&lt;strong>Unique work:&lt;/strong> One individual work, not designated as part of a numbered edition.&lt;/li>
&lt;li>&lt;strong>Limited edition:&lt;/strong> A defined maximum number of works in the edition. Record the individual number and total where applicable, such as &lt;code>3/12&lt;/code>.&lt;/li>
&lt;li>&lt;strong>Open edition:&lt;/strong> A work that may be made in continuing or unspecified quantity. It should not be presented as a limited edition.&lt;/li>
&lt;li>&lt;strong>Artist proof:&lt;/strong> A maker-designated proof outside or alongside an edition, described according to the maker’s stated practice.&lt;/li>
&lt;li>&lt;strong>Variant or related work:&lt;/strong> A doll related to a series but with individual changes. Describe those changes instead of implying that it is identical to another object.&lt;/li>
&lt;/ul>
&lt;p>If numbering does not apply, do not add it merely to make a record look formal. Conversely, if a doll is part of a numbered edition, ensure that the edition number appears on the certificate, identity sheet, and relevant sales or transfer documents.&lt;/p>
&lt;h2 id="create-an-object-specific-certificate">Create an object-specific certificate&lt;/h2>
&lt;p>A certificate of authenticity art doll should identify the exact doll it accompanies. A generic certificate stating only that a maker produces original work is less useful once packaging and memory have been separated from the object.&lt;/p>
&lt;p>Include the following:&lt;/p>
&lt;ul>
&lt;li>Maker name.&lt;/li>
&lt;li>Object ID.&lt;/li>
&lt;li>Title or working name.&lt;/li>
&lt;li>Completion date.&lt;/li>
&lt;li>Dimensions.&lt;/li>
&lt;li>Materials and principal construction details.&lt;/li>
&lt;li>Edition status and number, when applicable.&lt;/li>
&lt;li>A small printed image of the individual doll.&lt;/li>
&lt;li>Maker signature and date, where the maker chooses to use them.&lt;/li>
&lt;/ul>
&lt;p>The certificate can state that the maker identifies the described object as their work. It should not promise a market value, investment outcome, universal verification, permanence, or future resale result.&lt;/p>
&lt;p>Keep the certificate with the doll’s packet, but make a digital scan. If an original is lost, a later replacement should be labelled as a replacement and dated, rather than made to appear as the original document.&lt;/p>
&lt;h2 id="photograph-what-words-cannot-fully-hold">Photograph what words cannot fully hold&lt;/h2>
&lt;p>Photographs are often the quickest way to reconnect a doll with its records. Take them in even, well-lit conditions, against a simple background, before the work leaves the maker or enters a collection.&lt;/p>
&lt;h3 id="reference-image-checklist">Reference image checklist&lt;/h3>
&lt;p>Capture dated images of:&lt;/p>
&lt;ul>
&lt;li>Front view.&lt;/li>
&lt;li>Back view.&lt;/li>
&lt;li>Both side views when silhouette or construction makes them useful.&lt;/li>
&lt;li>Base, underside, or supporting structure.&lt;/li>
&lt;li>Signature, maker mark, sewn label, or object ID tag.&lt;/li>
&lt;li>A scale reference, placed nearby without touching delicate surfaces.&lt;/li>
&lt;li>Distinctive facial details, clothing, seams, props, joint systems, and accessories.&lt;/li>
&lt;li>Existing irregularities, such as deliberate asymmetry, aged surfaces, visible stitchwork, or found-material marks.&lt;/li>
&lt;/ul>
&lt;p>Keep an unedited reference set. Edited photographs can be useful for presentation, but they should not replace plain images that show the object clearly. Name files consistently, for example: &lt;code>AB-2025-014_front_2025-04-18.jpg&lt;/code>.&lt;/p>
&lt;p>Store copies in at least two places. One may be a local drive or archival storage device; another may be a secure cloud service or a copy held with the maker, collector, or trusted records custodian. Review files occasionally to ensure they remain readable and linked to the object ID.&lt;/p>
&lt;p>Add brief written notes for features that photographs may not communicate well: whether the doll balances independently, the range of an articulated limb, the order in which detachable parts should be removed, or a projection that is visually strong but structurally delicate.&lt;/p>
&lt;h2 id="start-with-a-baseline-condition-report">Start with a baseline condition report&lt;/h2>
&lt;p>An &lt;strong>art doll condition report&lt;/strong> is a dated snapshot of the physical state of the individual doll. Begin one at completion for makers, or at acquisition for collectors. It provides a reference point for later changes without treating every irregularity as damage.&lt;/p>
&lt;p>Use neutral, observable wording. Rather than guessing at a cause, describe what is visible.&lt;/p>
&lt;table>
&lt;thead>
&lt;tr>
&lt;th>Condition field&lt;/th>
&lt;th>Examples of useful observations&lt;/th>
&lt;/tr>
&lt;/thead>
&lt;tbody>
&lt;tr>
&lt;td>Date and examiner&lt;/td>
&lt;td>Date of inspection and person preparing the note&lt;/td>
&lt;/tr>
&lt;tr>
&lt;td>Overall condition&lt;/td>
&lt;td>Stable, handling concerns noted, or other plain summary&lt;/td>
&lt;/tr>
&lt;tr>
&lt;td>Surface&lt;/td>
&lt;td>Craquelure, scuffs, dust, abrasion, stains, or intended texture&lt;/td>
&lt;/tr>
&lt;tr>
&lt;td>Structure&lt;/td>
&lt;td>Loose elements, armature visibility, leaning, wobble, detached parts&lt;/td>
&lt;/tr>
&lt;tr>
&lt;td>Colour and finish&lt;/td>
&lt;td>Fading, yellowing, discoloration, flaking, gloss change&lt;/td>
&lt;/tr>
&lt;tr>
&lt;td>Costume and fibres&lt;/td>
&lt;td>Pulls, tears, loose stitching, compression, pest evidence&lt;/td>
&lt;/tr>
&lt;tr>
&lt;td>Odours or residues&lt;/td>
&lt;td>Observable odour, smoke residue, tackiness, or unknown deposits&lt;/td>
&lt;/tr>
&lt;tr>
&lt;td>Storage or display concerns&lt;/td>
&lt;td>Strong light, pressure, humidity swings, unsupported weight, unstable stand&lt;/td>
&lt;/tr>
&lt;/tbody>
&lt;/table>
&lt;p>Distinguish intentional maker choices from later change whenever the information is available. A deliberately distressed finish, asymmetrical limb, or exposed seam should be documented as part of the original design rather than described automatically as damage.&lt;/p>
&lt;p>Update the report before or after a sale, gift, shipment, major move, loan, repair, conservation treatment, or any notable change in condition. Attach new dated photographs rather than overwriting the earlier record.&lt;/p>
&lt;h2 id="log-repairs-and-alterations-honestly">Log repairs and alterations honestly&lt;/h2>
&lt;p>A repair log is part of responsible collectible doll documentation. Repairs, replaced elements, and alterations may matter to identification, care, and the future understanding of the object. Concealing them can make later condition assessment more difficult.&lt;/p>
&lt;p>For each intervention, record:&lt;/p>
&lt;ul>
&lt;li>Date.&lt;/li>
&lt;li>Person or business who performed the work, if known.&lt;/li>
&lt;li>Reason for the work.&lt;/li>
&lt;li>Observable condition before treatment.&lt;/li>
&lt;li>Methods and materials used, if known.&lt;/li>
&lt;li>Components repaired, removed, added, or replaced.&lt;/li>
&lt;li>Before-and-after photographs, when available.&lt;/li>
&lt;li>Any new handling or care instructions.&lt;/li>
&lt;/ul>
&lt;p>If details were not recorded at the time, do not reconstruct them as fact. A later note can say, “Repair observed and documented on [date]; original repair date and materials unknown.”&lt;/p>
&lt;p>Not all changes are repairs. A collector may add a display stand, replace a missing accessory, or alter a costume for exhibition. Record these separately from maker-authorized repairs, and keep removed original components if it is safe and practical to do so. Label their storage location and relationship to the object ID.&lt;/p>
&lt;h2 id="make-transfers-traceable-without-oversharing">Make transfers traceable without oversharing&lt;/h2>
&lt;p>A doll may change hands through a sale, gift, inheritance, private exchange, or other transfer. Keep the original packet with the doll where practical, while preserving digital copies elsewhere.&lt;/p>
&lt;p>A simple chronological transfer log can provide useful continuity.&lt;/p>
&lt;table>
&lt;thead>
&lt;tr>
&lt;th>Date&lt;/th>
&lt;th>Transfer type&lt;/th>
&lt;th>From&lt;/th>
&lt;th>To&lt;/th>
&lt;th>Supporting record&lt;/th>
&lt;th>Notes&lt;/th>
&lt;/tr>
&lt;/thead>
&lt;tbody>
&lt;tr>
&lt;td>2025-04-18&lt;/td>
&lt;td>Maker completion&lt;/td>
&lt;td>Maker&lt;/td>
&lt;td>Initial maker custody&lt;/td>
&lt;td>Core packet&lt;/td>
&lt;td>Baseline photographs completed&lt;/td>
&lt;/tr>
&lt;tr>
&lt;td>2025-06-02&lt;/td>
&lt;td>Gift&lt;/td>
&lt;td>Transferor&lt;/td>
&lt;td>Recipient&lt;/td>
&lt;td>Gift note&lt;/td>
&lt;td>Packet passed with doll&lt;/td>
&lt;/tr>
&lt;tr>
&lt;td>2027-09-14&lt;/td>
&lt;td>Private sale&lt;/td>
&lt;td>Seller&lt;/td>
&lt;td>Buyer&lt;/td>
&lt;td>Receipt and condition update&lt;/td>
&lt;td>Repair log included&lt;/td>
&lt;/tr>
&lt;/tbody>
&lt;/table>
&lt;p>Use names only to the extent appropriate for the people involved. A private record can contain fuller details than a public listing. Avoid publishing home addresses, payment details, account numbers, or personal correspondence unnecessarily.&lt;/p>
&lt;p>Where available, retain supporting records such as invoices, receipts, gallery paperwork, gift letters, shipping documentation, and correspondence that clearly identifies the individual doll. A general email about a series is less useful than one that includes the object ID, image, title, or distinguishing description.&lt;/p>
&lt;p>Each new custodian should preserve prior records rather than replace them with a newly created certificate. A later summary can be helpful, but it should be dated and should not erase the earlier sequence of documents.&lt;/p>
&lt;h2 id="common-documentation-failures">Common documentation failures&lt;/h2>
&lt;p>The most frequent problems are usually omissions rather than elaborate deception.&lt;/p>
&lt;h3 id="a-generic-certificate">A generic certificate&lt;/h3>
&lt;p>A certificate without a doll ID, image, dimensions, date, materials, and edition information may not be readily connected to a particular object later. Make it object-specific.&lt;/p>
&lt;h3 id="a-record-that-confuses-series-with-object">A record that confuses series with object&lt;/h3>
&lt;p>A series title is not enough when several dolls share similar materials or styling. Include individual measurements, photographs, and distinguishing details.&lt;/p>
&lt;h3 id="unsupported-history-presented-as-fact">Unsupported history presented as fact&lt;/h3>
&lt;p>Do not backfill an uncertain creation date, prior owner, reclaimed-component origin, or repair history. Mark the information as unknown and date any later-added note.&lt;/p>
&lt;h3 id="hidden-changes">Hidden changes&lt;/h3>
&lt;p>Do not omit replaced limbs, new costume components, repaired cracks, altered finishes, or structural changes that affect care or identification. A factual repair record is more useful than a silent gap.&lt;/p>
&lt;h3 id="reliance-on-packaging-or-social-posts-alone">Reliance on packaging or social posts alone&lt;/h3>
&lt;p>Packaging can be lost, and online posts can disappear or become separated from the object. Preserve paper records and digital copies, both tied to the stable ID.&lt;/p>
&lt;h3 id="one-backup-only">One backup only&lt;/h3>
&lt;p>A single phone folder, email account, or paper envelope is vulnerable to loss. Maintain at least two stored copies in separate locations, and note where originals are kept.&lt;/p>
&lt;h2 id="documentation-packet-at-a-glance">Documentation packet at a glance&lt;/h2>
&lt;p>Before a doll is gifted, sold, shipped, or placed into long-term storage, aim for this transfer-ready record set:&lt;/p>
&lt;ul>
&lt;li>&lt;input disabled="" type="checkbox"> Core identity sheet with object ID, title, maker, completion date, dimensions, edition status, and description.&lt;/li>
&lt;li>&lt;input disabled="" type="checkbox"> Maker-authorship statement or certificate of authenticity art doll.&lt;/li>
&lt;li>&lt;input disabled="" type="checkbox"> Dated reference photographs: front, back, sides where useful, base, scale, maker mark, and distinctive details.&lt;/li>
&lt;li>&lt;input disabled="" type="checkbox"> Materials, construction, reclaimed-component notes, and care guidance.&lt;/li>
&lt;li>&lt;input disabled="" type="checkbox"> Baseline art doll condition report, plus any later updates.&lt;/li>
&lt;li>&lt;input disabled="" type="checkbox"> Repair and alteration log with photographs when available.&lt;/li>
&lt;li>&lt;input disabled="" type="checkbox"> Receipts, invoices, gift notes, or other transfer-supporting records.&lt;/li>
&lt;li>&lt;input disabled="" type="checkbox"> Chronological ownership-transfer or custody log.&lt;/li>
&lt;li>&lt;input disabled="" type="checkbox"> A note identifying the location of paper originals and digital backups.&lt;/li>
&lt;/ul>
&lt;h2 id="a-modest-packet-is-better-than-a-perfect-looking-one">A modest packet is better than a perfect-looking one&lt;/h2>
&lt;p>The goal is not to manufacture certainty where none exists. It is to preserve what can be responsibly known about one handmade object: who made it, what it is made from, how it looked at a given time, what has changed, and which records have travelled with it.&lt;/p>
&lt;p>For makers, creating the packet at completion is usually the easiest moment to capture materials, process details, and baseline photographs. For collectors, the best time to begin is now: identify the doll carefully, scan what exists, date new observations, and label unknowns honestly.&lt;/p>
&lt;p>A clear, maintained packet cannot answer every future question. It can make the right questions easier to ask, support more informed care, and help a handmade art doll remain recognisable beyond its original setting.&lt;/p></content:encoded></item></channel></rss>