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Stories

Studio visits, artist conversations, collecting guides, and essays on material culture.

A seamstress working at a sewing machine in a bright studio.

Inside the Studio

A Day in the Life of Mira Petkova's Workshop

Light, repetition, and carefully timed pauses shape a working day in Mira Petkova's Sofia studio.

By Sophie Harrow · July 4, 2026

Close-up of fabric swatches and small pattern pieces for doll clothing on a neutral work surface

Materials

Fabric Choices for Art Doll Costumes: Drape, Bulk, and Edge Finish

At 1:6 and 1:4 scale, fabrics that drape well on people can turn stiff and bulky. Here is how to compare materials and test swatches before you cut.

By Mateo Ellis · August 1, 2026

A miniature lined jacket for an art doll on a sewing table, with tiny fabric pieces, scissors, and a pressing tool nearby.

Process

Tailoring a Lined Jacket for an Art Doll: Managing Bulk, Pockets, and Miniature Zippers

The same techniques that make a human jacket crisp will bulk out a doll in miniature. Underline, trim, and press your way to a clean silhouette.

By Sophie Harrow · August 1, 2026

Close-up of a doll-scale pattern piece placed on printed fabric with chalk marks around a dominant motif.

Process

When Fabric Prints Won't Repeat: Cutting Doll-Scale Costumes

Stop matching a repeating grid. Choose a motif, place it with intention, and let doll-scale seams work with the print.

By Sophie Harrow · July 31, 2026

Side-by-side test patches of matte, satin, and gloss sealer on a painted doll face fragment

Materials

Sealing Hand-Painted Doll Surfaces: Finish Options Compared

No sealer fits every hand-painted doll. Compare acrylic varnish, urethane topcoat, wax, and fabric medium, then test on scrap before you commit.

By Mateo Ellis · July 31, 2026

Close-up of embroidering a marked cloth doll face in a small hoop, with thread and needle nearby.

Process

Thread Painting Doll Faces: Embroidering Features on Cloth

Stabilize, mark, hoop, and stitch in contour-following layers to give cloth dolls natural, dimensional facial features.

By Sophie Harrow · July 31, 2026

Close-up of small doll garments soaking in natural dye baths with glass jars and measuring tools on a wooden table.

Materials

Natural Dyeing for Doll Textiles: Small-Batch Consistency

Achieve even, repeatable color on doll-sized fabrics by scaling mordants, adjusting ratios, and keeping a dye journal.

By Mateo Ellis · July 30, 2026

Close-up of a hand embroidering a tiny floral motif on a doll dress, with a hoop and stabilizer visible

Materials

Stabilising Hand Embroidery on Doll Garments: Fabric, Hoops and Transfers

A practical guide to preventing warping and puckering when adding hand-embroidered details to miniature doll garments.

By Mateo Ellis · July 30, 2026

Close-up of a ceramic doll's face with an uneven, milky glaze surface, showing translucency issues

Process

Why Your Glazed Doll Turned Ghostly: Translucency Troubleshooting

That milky, see-through finish wasn’t what you planned. Here’s why it happens and how to get back to opaque.

By Sophie Harrow · July 30, 2026

A pair of sharp embroidery scissors resting on a piece of fabric next to a small doll garment

Materials

Selecting the Right Scissors for Doll Making: A Materials Guide

Choosing the right scissors for doll making starts with matching the tool to the material and task. This guide breaks down essential scissor types by …

By Mateo Ellis · July 29, 2026

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