
Inside the Studio
A Day in the Life of Mira Petkova's Workshop
Light, repetition, and carefully timed pauses shape a working day in Mira Petkova's Sofia studio.
ArtDoll archive
Studio visits, artist conversations, collecting guides, and essays on material culture.

Inside the Studio
Light, repetition, and carefully timed pauses shape a working day in Mira Petkova's Sofia studio.

Materials
The right bias-cut doll clothing begins with fabric behaviour: test drape, growth, recovery, and seam bulk before committing the final cloth.

Collector's Guide
A dated object file can preserve what is known about a handmade figure—and clearly mark what is only remembered, reported, or still unknown.

Care & Display
The safest textile doll display begins with distributed support, controlled light, and enough clearance to protect fabric, embroidery, beads, and …

Materials
The best embroidery thread for art dolls depends on scale, surface effect, fabric, and handling—not on one universally superior fibre.

Care & Display
Protect felt, silk, embroidery, wire, beads and painted details with a low-intervention routine built around support, stable conditions and limited …

Process
A convincing needle felted pet replica begins with observation and proportion, not eyes, markings or surface texture.

Process
A practical guide to planning, supporting and finishing a small embroidered figure that can stand securely without sacrificing delicate textile …

Process
A careful conversion begins before the first cut: assess the panel, design around its weak points, build a separate load-bearing structure, and …

Care & Display
The right display for an embroidered figure balances visibility with support, dust protection, clearance, light control, and easy inspection.