
Inside the Studio
A Day in the Life of Mira Petkova's Workshop
Light, repetition, and carefully timed pauses shape a working day in Mira Petkova's Sofia studio.
ArtDoll archive
Studio visits, artist conversations, collecting guides, and essays on material culture.

Inside the Studio
Light, repetition, and carefully timed pauses shape a working day in Mira Petkova's Sofia studio.

Process
Build facial presence by modelling the head’s planes first, then using thread, beads, and controlled density to reinforce expression.

Care & Display
Plan a lighted display around access, inspection, and serviceability so the illumination does not compromise a handmade object’s materials or future …

Process
Treat bead embroidery as a shaped, load-bearing surface: plan its curve, distribute its weight, protect its edges and leave a route for repair.

Materials
Treat lampworked eyes, tentacles, fins, and miniature appendages as vulnerable, non-load-bearing components from the first sketch through shipping.

Process
Landmarks, value, stable support, and controlled stitch direction do more for expression than added detail ever can.

Materials
Lampworked glass can be a durable part of an art doll only when its form, attachment, support, substrate, and display conditions are planned as one …

Process
Turn visual references into a convincing doll-scale costume by defining one version, testing the silhouette, managing bulk, and recording every …

Care & Display
Protect delicate glass details by supporting strong areas, isolating projections, and preventing movement without compressing the object.

Materials
For doll faces, miniature motifs, and dense stitched details, the best marking tool is the one that has passed a full swatch test on the exact …