
Inside the Studio
A Day in the Life of Mira Petkova's Workshop
Light, repetition, and carefully timed pauses shape a working day in Mira Petkova's Sofia studio.
ArtDoll archive
Studio visits, artist conversations, collecting guides, and essays on material culture.

Inside the Studio
Light, repetition, and carefully timed pauses shape a working day in Mira Petkova's Sofia studio.

Materials
The best fabric for doll clothes is not always the prettiest swatch: test scale, thickness, drape and a sample seam before cutting.

Care & Display
A room-by-room checklist for displaying textile, painted, paper, wood, metal, and mixed-material art dolls while reducing avoidable risks.

Process
Good doll clothing begins with the figure: measure its posture and joints, plan for ease and bulk, then test every garment before committing to final …

Materials
The right art doll stuffing depends on the figure’s scale, surface, structure, and intended use. Here is how to compare fillings and build an even, …

Collector's Guide
Create a reliable record for the finished doll and every significant reused component, without turning family stories, visual clues, or pattern …

Care & Display
Choose the least restrictive display that supports a textile doll, leaves room around its details, and allows regular inspection.

Materials
Choose the face structure first, then add materials whose weight, flexibility, porosity, texture, and finish can work together.

Care & Display
Create an attractive display without inviting fading, tipping, dust, compression, or accidental damage.

Process
Choose an armature by matching the figure’s scale, pose, weight, handling, and outer covering—not simply by choosing the stiffest available material.